2015考研英语阅读理解模拟试题（二十二）

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　　二十二、一位荷兰艺术家及其作品

　　An overturned bus lies on a rural highway, split open like a disjointed limb. Emergency workers slowly mill about, but the purpose of their activity is not clear. A line of cars stretches into the distance, their occupants gazing indifferently on this putative accident.

　　The images come from “Refraction”, a video by the Dutch artist Aernout Mik that opens tomorrow at the New Museum of Contemporary Art in Chelsea. The solo exhibition could bring about a new prominence for Mr. Mik, whose work has been shown with increasing frequency in Europe during the last decade but is not widely known in the United States. Nothing in “Refraction” is quite what it seems. The images are dreamlike, but shot in high-definition video that suggests a newscast gone strangely twisted. The video is about 30 minutes long, with no sound; it runs in a continuous loop and has anything but a narrative arc. It was shot in a single day on a lonely road in rural Romania using participants who received only vague instructions on how to act.

　　The work raises questions about our responses to catastrophe, tragedy and even traffic congestion. Mr. Mik says that “collective consciousness” is an important theme of his work, and he seems to approach his subjects as a sociologist — or entomologist — might. It’s not about character, he said in an interview, after flying in from Amsterdam for the opening of the exhibition. “It’s always about the individual in a relatively small, or relatively bigger group, being in its environment.” The images hint at contemporary anxieties, but cannot be easily fixed in space or time.

　　Perhaps the most haunting aspect of the video is the view of men dressed in protective white bodysuits, wearing green vests and plucking, with tweezers, at the detritus inside the toppled bus. They appear to be placing the debris into clear plastic sample bags. A possible bioterrorist attack? No other cues provide an answer. Mr. Mik at first intended to make his accident entirely victimless, but at the last moment, he said, he decided to produce shots of a few people who, presumably, were on the bus. Several are wrapped in blue flannel blankets; one woman is in a shiny metallic sheet as an aid worker speaks to her. No one appears traumatized, so the extent and nature of these victims’ injuries are unknown. Less depressing, but equally memorable, is a moment when a herd of sheep and goats amble from the surrounding fields onto the road. Their origins and destination are unexplained, but the comparison to the human flock is pretty clear.

　　Mr. Mik, who is 42 and based in Amsterdam, has had several dozen solo exhibitions across Europe since 1995, but until this year his work has been displayed in the United States only a handful of times. He resists being called a video artist, however, and prefers to describe the work as a mixture of media. “I don’t consider it as just video,” he said. “I sometimes call myself, provocatively, a sculptor, because I really bring the moving image to the space. It’s very much a spatial intervention instead of just film projected somewhere.”

　　1.The word “putative” (Line 3, Paragraph 1) most probably means _____.

　　[A] dreamy [B] strange [C] terrible [D] supposed

　　2.“Refraction” seems to be the name of _____.

　　[A] a film [B] a performance [C] a sculpture [D] an exhibition

　　3.The themes expressed in Aernout Mik’s work do Not include _____.

　　[A] disasters and tragedies [B] human unconcern about others [C] group effect [D] overcrowdedness

　　4.Which of the following is true about the work “Refraction”?

　　[A] It was produced and will be exhibited in Chelsea. [B] All the participants in it were photoed unconsciously.

　　[C] There is no victim in the accident narrated. [D] Animals appear in it and are compared to human flock.

　　5.It is true of Mr. Mik, the artist, that _____.

　　[A] he is increasingly prominent in the United States [B] he studies human group behavior from an artistic perspective

　　[C] he intends to warn viewers against bioterrorist attacks [D] he considers himself a video artist and a sculptor

　　答案：1.D 2.A 3.B 4.D 5.B

　　核心词汇或超纲词汇

　　(1)limb(n.)肢(臂、腿);翼;(树的)大枝

　　(2)putative(a.)推定的，假定的;被公认的

　　(3)refraction(n.)折光，折射;refract(v.)使折射;refractable(a.)可折射的;refractive(a.)折射的

　　(4)loop(n.)圈，环;重复，循环(v.)使成圈/环，把东西系在一起

　　(5)arc(n.)弧，拱;循弧线行进

　　(6)catastrophe(n.)大灾难，大祸;catastrophic(a.)

　　(7)congestion(n.)拥塞，充血;congest(v.)

　　(8)entomologist(n.)昆虫学者;entomology(n.)昆虫学

　　(9)pluck(v.)采，摘，拔，扯，拉，鼓起(勇气)

　　(10)tweezers(n.)镊子，小钳;tweeze(v.)以镊子除去，以钳子拔除

　　(11)detritus(n.)碎石，碎片;堆积物，废墟

　　(12)debris(n.)碎片, 残骸

　　(13)traumatize(v.)使受外伤;使受精神[心理]上创伤;trauma(n.)身体上或精神上的创伤

　　(14)provocatively(ad.)煽动地，挑衅地，引起争论的;provocate(v.)激怒，刺激，惹起

　　全文翻译

　　一辆公共汽车翻倒在乡村高速公路上，像脱节的肢体一样四分五裂。急救人员在毫无目标地打转，但他们这种活动的目的并不明确。汽车的队列向远处延伸，车主们冷漠地盯着这场虚构的事故。

　　这一场景来自于荷兰艺术家Aernout Mik的录像作品。该作品将于明天在切尔西的当代艺术新展览馆展示。此次个人展出将会为Mik先生带来更大的知名度。在过去的十年中，Aernout Mik的作品在欧洲频繁展出，但是在美国仍不是广为人知。在“Refraction”中显示出的东西和它本来的样子很不相同。图象如梦幻一般，却是用高清晰度的录像机拍摄的，它显示了一个极端扭曲的新闻。录像长约30分钟，是无声连续循环播放的，除了叙述的弧度什么也没有。这次拍摄是在罗马尼亚一条僻静的乡村公路上花了一天时间完成。它的参与者只收到关于如何表演的模糊指导。

　　Aernout Mik的这个作品提出了关于我们人类对灾难、悲剧，甚至交通堵塞的反应这样的问题。Mik先生说集体意识是他作品的一个重要的主题。而他似乎从一个社会学家或昆虫家的角度看待作品中的人物。为展览开幕从阿姆斯特丹飞过来后，他在一次采访中说，“那不是关于人物的，它一直是关于处在一个相对较小或大的群体中，即在环境中的个体”。图象暗示了当代的焦虑，但是不能简单地固定于空间和时间中。

　　录像中最令人难忘的部分可能是身着白色紧身衣裤，外配绿色马甲，在翻倒的汽车里用小钳子夹起碎石的景象。看起来他们好像正在把残骸放入干净的样本塑料袋中。可不可能是生物恐怖主义袭击?没有其他线索为此提供答案。起初，Mik先生有意不为本次事故设计受害者，他说，但是在最后一刻，他决定拍摄几个假定在车上的人。有几个人被包裹在法兰绒的毯子中，一位工作助手在对一位身披闪闪发光的金属床单的女士讲话。好像没有人精神受创，因此这些受害者的伤势也无从了解。还有一刻没有那么令人沮丧但是同样难忘。当时，一群绵羊和山羊步态从容地从周围的田野向路上走来。谁也没有解释它们从哪里来，要去向哪里，但是显而易见的是他们和人群形成了对比。

　　Mik先生今年42岁，现定居阿姆斯特丹。自1995年以来他已经穿越欧洲举办了数十场个人展览，但是直到今年它的作品在美国才有少数几次展示。他拒绝被称作录像艺术家，而更愿意将自己的作品描述成媒介混合物。他说：“我认为它不仅仅是录像，有时候，我有意称自己为雕塑家，因为我确实把流动的景象带到了生活空间。它不是在某个地方的电影，而更像一种空间性的介入。”

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