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考研英语阅读来源及文章解析:Who's a Nerd, Anyway?

2019-03-26 12:05:11来源:网络

  考研英语阅读文章题源大部分来源于《经济学人》、《时代周刊》、《新闻周刊》、《科学美国人》、《商业周刊》、《纽约时报》、《美国新闻报道》、《华尔街日报》、《卫报》、《自然杂志》、《没过大西洋周刊》等,还有一些来源于:《新科学家》、《社评杂志》、《福布斯》、《哈佛经济评价》、《麦肯锡季刊》、《科学探索》、《科学》、《观察家报》、《哈佛杂志》、《美国学校董事会杂志》、《星报在线》、《Big Think》、《华盛顿邮报》、《基督教科学箴言报》(这些只出过一次),所以,对于有精力的同学,课余不妨可以读读这些报刊杂志的文章,拓展拓展知识和眼界,提升阅读能力。本文新东方在线给大家解析考研英语阅读阅读来源文章:Who's a Nerd, Anyway?

 From The New York Times

  By Benjamin Nugent

  July 29,2007

  Who's a Nerd, Anyway?

  What is a nerd? Mary Bucholtz, a linguist at the University of California, Santa Barbara, has been working on the question for the last 12 years. She has gone to high schools and colleges, mainly in California, and asked students from different crowds to think about the idea of nerdiness and who among their peers should be considered a nerd; students have also "reported" themselves. Nerdiness, she has conducted, is largely a matter of racially tinged behavior. People who are considered nerds tend to act in ways that are, as she puts it, "hyperwhite".

  While the word "nerd" has been used since the 1950s, its origin remains elusive. Nerds, however, are easy to find everywhere. Being a nerd has become a widely accepted and even proud identity, and nerds have carved out a comfortable niche in popular culture; "nerdcore" rappers, who wear pocket protectors and write paeans to computer routing devices,are in vogue, and TV networks continue to run shows with titles like “Beauty and the Geek". As a linguist, Bucholtz understands nerdiness first and foremost as a way of using language. In a 2001 paper, “The Whiteness of Nerds: Superstandard English and Racial Markedness'', and other works, including a book in progress, Bucholtz notes that the "hegemonic" "cool white" kids use a limited amount of African-American vernacular English; they may say “blood" in lieu of "friend," or drop the “g” in “playing”.

  But the nerds she has interviewed, mostly white kids, punctiliously adhere to Standard English. They often favor Greco-Latinate words over Germanic ones ("it's my observation" instead of "I think”),a preference that lends an air of scientific detachment. They're aware they speak distinctively and they use language as a badge of membership in their cliques. One nerd girl Bucholtz observed performed a typically nerdy feat when asked to discuss "blood" as a slang term; she replied: “B-I-O-O-D. The word is blood," evoking the format of a spelling bee. She went on, "That's the stuff which is inside of your veins," humorously using a literal definition Nerds are not simply victims of the prevailing social codes about what's appropriate and what's cool; they actively shape their own identities and put those codes in question.

  Though Bucholtz uses the term “hyperwhite" to describe nerd language in particular, she claims that the "symbolic resources of an extreme whiteness" can be used elsewhere. After all, trends in music, dance, fashion, sports and language in a variety of youth subcultures are often traceable to an African-American source, but unlike the styles of cool European American students, in nerdiness, African-American culture and language do not play even a covert role. Certainly, "hyperwhite" seems a good word for the sartorial choices of paradigmatic nerds. While a stereotypical black youth, from the zoot-suit era through the bling years, wears flashy clothes, chosen for their aesthetic value, nerdy clothing is purely practical: pocket protectors, belt sheaths for gadgets, short shorts for excessive heat, etc. Indeed, "hyperwhite" works as a description for nearly everything we intuitively associate with nerds, which is why Hollywood has long traded in jokes that try to capitalize on the emotional dissonance of nerds acting black (Eugene Levy saying, "You got me straight trippin, boo”) and black people being nerds(the characters Urkel and Carlton in the sitcoms "Family Matters" and "The Fresh Prince of Bel-Air”).

  By cultivating an identity perceived as white to the point of excess, nerds deny themselves the aura of normality that is usually one of the perks of being white. Bucholtz sees something to admire here. In declining to appropriate African-American youth culture, thereby "refusing to exercise the racial privilege upon which white youth cultures are founded," she writes, nerds may even be viewed as "traitors to whiteness." You might say they know that a culture based on theft is a culture not worth having. On the other hand, the code of conspicuous intellectualism in the nerd cliques Bucholtz observed may shut out "black students who chose not to openly display their abilities.” This is especially disturbing at a time when African-American students can be stigmatized by other African-American students if they're too obviously diligent about school .Even more problematic, "Nerds' dismissal of black cultural practices often led them to discount the possibility of friendship with black students," even if the nerds were involved in political activities like protesting against the dismantling of affirmative action in California schools. If nerdiness, as Bucholtz suggests, can be a rebellion against the cool white kids and their use of black culture, it’s a rebellion with a limited membership.


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